Brock Enright was born in 1976 in Norfolk, VA. He received his BFA from Maryland Institute College of Art in 1998, and his MFA from Columbia University in 2002. He currently lives and works in Brooklyn, NY.
Enright has held seven solo shows, including: Verdigris, Kate Werble Gallery, New York, NY (2013); Brock Enright, Kate Werble Gallery, New York, NY (2011); Satellite Son, Nicelle Beauchene Gallery, New York, NY (2009); Precision Of Positions, White Flag Projects, St. Louis, MO (2008); Good Times Will Never Be The Same, Perry Rubenstein Gallery, New York, NY (2007); and Raising Dead Mothers, Vilma Gold Gallery, London, UK (2005).
His work has been featured in exhibitions including Slip, Mitchell-Innes & Nash, New York, NY (2014); Astral Weeks, Gallery Diet, Miami, FL (2012); PERFORMA ’07; Greater New York, MoMA PS1, Long Island City, NY (2005); Trade Show, MASS MoCA, North Adams, MA (2005); Marking Time, Los Angeles Contemporary Exhibitions, Los Angeles, CA (2005); Expander, Royal Academy of Art, London, UK (2004); and 3-person Show, MoMA PS1, Long Island City, NY (2001). He has an upcoming solo exhibition Sugar Computer/Electrocate at Kate Werble Gallery in March 2016.
Enright has additionally exhibited at galleries and institutions including The Autry Museum, Los Angeles, CA; Halle 14, Leipzig, DE; Anton Kern Gallery, New York, NY; COMA, Berlin, DE; Bregenzer Kunstverein, Bregenz, AT; MOT, London, UK; ZKM, Karlsruhe, DE; Aliceday Gallery, Brussels, BE; Mitchell-Innes & Nash, New York, NY; American Fine Arts, Co., New York, NY; DUVE, Berlin, DE; and Blackston Gallery, New York, NY.
His work has been reviewed in publications such as The New York Times, Artforum, Art Review, Parkett, Art in America, Los Angeles Times, Issue Magazine, Time Out NY, The Guardian, BBC News, and The Village Voice. He is the subject of a 2009 feature length documentary titled Good Times Will Never Be The Same.